Li Hongbo’s Paper Sculptures That Refuse to Stay Still
Bust of Marseilles, 2015

In its closed state, the bearded head gathers its details into a recognizable portrait. Extended, the same paper structure bends away from the base and changes the relationship between face, neck and support. The gallery’s paired view is useful because it reveals that these are two states of one work, not two independent sculptures. The theatrical gesture never quite erases the original model. Even as the paper opens, features remain legible, allowing recognition and visual uncertainty to exist together in the same image.
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